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You'll want to get to 100%, but you might not need to go to 0%. Then you make more versions of those colors with the variations being in brightness, 10% or more up and down. You'll want to make more versions of the same color, with the only difference being that saturation goes up and down by at least 10%. If you're a bit persnickety, you might want to move all these measures to rounder numbers (multiples of 5 or 10). We'll be making more colors by moving on these three bars. If you don't have the panel set to HSB, I would recommend you do that.

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You can start by picking a skin color, possibly from the forehead or the cheeks, and making this the first color in your palette, which will sit right next to the photo (in a New Layer). To get a 'blockier', retro look, we'll limit the number of colors. We're going to be tracing the picture, and we want to get an artificial and deliberate kind of look to the portrait that we can't get using filters. If I had shrunk the photo more, I might not have had enough resolution to achieve that.Īpologies if this keeps you up at night. I drew a pair of beady eyes in a New Layer that I could use as a reference I wanted to be able to leave a pixel for the pupil and a pair of pixels on the side for the iris. The face could be anywhere from 50 to 75px. You can apply the change to both layers at the same time… don't merge them.

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Step 6Īnd now shrink the portrait ( Edit > Free Transform). This will sort of average out the face, make both halves identical, and we won't need to worry about the light from the photo not matching the one on the pixel portrait. Step 5Ĭopy the aligned face, paste it in a New Layer, flip it horizontally and lower the layer opacity to 50%. Transform ( Edit > Free Transform) and align the eyes with the horizontal line, and the nose with the vertical. Paste the portrait in a layer under the crosshairs. Step 2ĭraw a crosshair that will help align the photo. Get (or take) the photo! The subject should be looking straight at the camera-this way we need only do half of the face (and flip horizontal for the other half), and also the end result is kind of stiff, in a good way.Ī selfie may work, but if you can get a picture with a bit more distance, it would probably work better for the portrait. You'll need a very symmetrical photo of the person you'll pixelate. If you're looking for other retro pixel art graphics without having to do the work, you can always head over to Envato Market. We'll do some pixel-by-pixel work to achieve a retro, arcade game kind of look.

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Let's check out how to turn a photo into a cool pixel art portrait.

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He also provided texture support for Turok 4.īetween June 2003 and 14th August 2003, he was employed as a texturer / 3D modeler on Electronic Arts' The Lord of the Rings: The Return of the King, where he built geometry, props and objects in Maya for the Crack of Doom and Road to Isengard levels, including trees, logs, huts, and various terrain items.īetween August 2003 and July 2004, he built and textured geometry, props and objects for in-game cinemas for the 100 Bullets comic adaptation.įrom June 2004 onwards, he worked at Terminal Reality on BloodRayne 2 and Clive Barker's Demonik before joining Pi Studios.Do you want to give yourself or someone you know a very retro look? He provided animations and concept sketches, and created textures and level geometry for Crimson Order.īetween July 2001 and January 2003, he worked at Acclaim Entertainment where he created the geometry of the Fire World, produced textures and drew conceptual sketches for Vexx. He produced original art and drew the weekly cartoon Queeny that ran for three years in American Statesman's XL Magazine.īetween 19, he worked at Eclipse Entertainment where he produced GDEMO, created models, animations and scenery for Jack Nicklaus 5 and created all conceptual art for EA Canada's Lucifer.īetween 20, he worked at Kinesoft Development as a lead environment artist.

The Lord of the Rings: The Return of the King (2003)īetween 19, Bob Cooksey was a self-employed illustrator, graphic artist, cartoonist and web site developer. Shroud of the Avatar: Forsaken Virtues (2018) Ghostbusters: The Video Game - Remastered (2019)